Sputnik
YIDFF2019

12MB

SPUTNIK — YIDFF Reader 2019
Table of Contents
A Self-Portrait through the Windows: Self-Portrait: Sphinx in 47KM and Self-Portrait: Window in 47KM｜Yuki Hidetake
Records on the Borderline: Midnight Traveler, Transnistra, and The Crosses｜Abe Koji
Listening to the Voices of the Dead: Wang Bing’s Dead Souls｜Tsuchiya Masaaki
Small Town as System: Frederick Wiseman’s Monrovia, Indiana｜Saito Ayako
Making a Comedy: So Yo-hen’s Hut｜Yoshida Miwa
From the Bottom of Ordinary Life: Gassan Halwani’s Erased, __Ascent of the Invisible｜Tada Kaori
Music Laden with Politics: Anatolian Trip and The Wandering Rock｜Yamamoto Kanako
An Encounter between New Wave Cinema and Music: Pereira dos Santos and jobim｜Ishigooka Manabu
Double Detachment: Listening to the Air and Double Layered Town / Making a Song to Replace Our Positions｜Tomita Katsuya
Day of the Typhoon: Kusano Natsuka’s Domains｜Togashi Shin
Introduction to a “Black Company”: Tsuchiya Tokachi’s An Ant Strikes Back｜Takiguchi Katsunori
Awakening from Our Historical Amnesia to Our Common Imperial Ancestry｜Manuel Yang
Those Left Behind: Island Soldier｜Kathy Jetn̄il-Kijiner
Trajectory of Kanoon as a Platform for Modern Iranian Art｜Shohreh Golparian
Kamran Shirdel, Smuggler of Realism｜Jean-Michel Frodon
A Memory of Jonas Mesas with his Bolex｜Koguchi Utako
Magnetic Tape Cinematheques: Chuck Norris vs Communism and The Master｜Murderous Ink
Quiet Rebels: Talking About Trees｜Inoue Furu
For Prospective Critiques of Bunka Eiga｜Fujii Jinshi
Introduction to the New Taiwan Documentary｜Chiu Kuei-fen
Genesis: The Northeast India AV Archive｜Junisha Khongwir
Building a Bridge of Memory: The Future of Footage Archival｜Umeki Soichi
On “Movie Theaters in Yamagata”｜Narita Yuta
The Nostalgia of Kokeshi｜Umeki Naomi
The Movie Capital: Thirty Years On｜Kobayashi Mizuho
Tamura Masaki, a Remodeling Man｜Suzuki Hitoshi