Yamagata Film Criticism Workshop

How Cinema Can Be a Liberating Cycling Journey to PeaceーSuhel Banerjee’s “CycleMahesh” [Yamagata Film Criticism Workshop 2025]

2025.10.21

The Texture of GriefーKeawalee Warutkomain’s “The Last Visit” [Yamagata Film Criticism Workshop 2025]

2025.10.16

The Distance Between the Audience and the Directorー”3350 KM” by Sara Kontar [Yamagata Film Criticism Workshop 2025]

2025.10.15

Trapped in FreedomーSo Yo-Hen’s “Park” [Yamagata Film Criticism Workshop 2025]

2025.10.15

The Tempo of DustーGianfranco Rosi’s “Below the Clouds” [Yamagata Film Criticism Workshop 2025]

2025.10.12

A Sign of LifeーBappadittya Sarkar’s “Collective Dreams Stitched into December” [Yamagata Film Criticism Workshop 2025]

2025.10.12

Will Everything Be All Right?ーAnastasiya Miroshnichenko’s “Welded Together” [Yamagata Film Criticism Workshop 2025]

2025.10.12

My Sisters Taste the RainーNarges Judaki and Iman Paknahad’s “Hakishka” [Yamagata Film Criticism Workshop 2025]

2025.10.12

TENTEN-20 (てんてん-20)ーPropositions on Ellipses and Ellipsis Within the Gaze of Ogawa Shinsuke’s “Narita: Heta Village” (1973) [Yamagata Film Criticism Workshop 2025]

2025.10.12

Within the Quiet Rooms of Ogawa Shinsuke’s “Narita: Heta Village” [Yamagata Film Criticism Workshop 2025]

2025.10.12

What Lies Behind Masahiko’s Sorrowful Face?ーOgawa Shinsuke’s “Narita: Heta Village” [Yamagata Film Criticism Workshop 2025]

2025.10.12

Like a Break in the CloudーThe Coda of Ogawa Shinsuke’s “Narita: Heta Village” [Yamagata Film Criticism Workshop 2025]

2025.10.12